Thursday, May 29, 2008

Interview…with Kezia the poet


At 25, Kezia Snipe (a.k.a. Kezia the poet) has been fascinated with poetry for almost 20 years, writing rhymes as soon as she could string words together. She says it's more of a "why" than a "how" when talking about her first steps into poetry.

"There were a lot of things I didn't understand," she explains, relating how her brother moved out when she was just four years old leaving her a lonely, only child in the house, "and things frustrated me…so I wrote and somehow (the lines) ended up rhyming."

Now she co-wrote a book of poetry and recording a CD of spoken word poetry in her "spare" time between her full-time job at a hospital and going to school.

Why does Kezia like speaking her poems?


"Sometimes a message is not always conveyed by someone just reading (the poem). By speaking the poem, the listener can 'feel it' and 'get it' from the writer's perspective, and all the emotions, movements and feelings that the writer put in it are released."

She did her first poem in front of an audience a couple years ago at a Poetry, Rhythm & Soul event in Memphis, TN. Poetry, Rhythm & Soul is a production company that hosts an open mic night once a month for local musicians and poets to share their work. Kezia went just to enjoy the show, but she found herself up on stage.

Poster from Poetry, Rhythm & Soul event

"And (I) haven't left since!" She likes the warm, friendly atmosphere at these gatherings. "There aren't any big "I"s or little "you"s…everyone supports everyone and …cheers everyone on. I always look forward to going."

How does she get from idea to performance?

Her life is her muse, she says, admitting that sounds cliché. She's influenced by her faith, her family, love and many other people and things in her life.

"Just when you've been overwhelmed with subject matters, you peel back a layer and BOOM! There's something else to write about. It amazes me sometimes."

Like almost all writers, her ideas come at the most inopportune times. Sometimes she can "hold that thought" until she has time to write, but recently one idea kept pestering her as she tried to sleep until she got out of bed and put a rough draft on paper. "As soon as I was done, I was fast asleep."


Not every poem becomes a spoken word poem. A spoken word poem must grab a listener's attention, through language, through subject, through the rhythm. It must maintain that attention, giving the poet a means to connect directly with the audience. That connection is the primary reason Kezia memorizes her poems for performances.

Without that piece of paper between you and the audience "you can even go as far as looking a particular listener directly in the eye…and really draw (him) in. It's a beautiful thing."

Is there a market for a CD of spoken word poetry?

Kezia thinks so. "Indie music is rising at an increasingly sharp rate, and any well-marketed CD, no matter the genre or style, can do well."

Her marketing scheme includes MySpace, FaceBook, ReverbNation and other sites specifically geared toward independent artists. She will also sell the CDs at her performance venues and she has plans to talk with some bookstores.

She has found that creating a solo CD is a lot more challenging than co-writing a book. She and her good friend Louis Bryant recently completed Unclassifiable: Entries from Entities, a poetry collection. It is with a publisher.

"We were each other's motivation. Most days…we'd end our conversations with 'Yo, write something tonight! When you're doing a solo project, you have to challenge yourself, encourage yourself, push yourself, EVERYTHING yourself."

Still she hasn't been swayed by the challenge and lists among her goals the desire to make more CDs. "Maybe another book. I haven't set anything in stone because the last thing I want to do is limit myself."

And she offers that advice to new poets and writers, too. "Don't be afraid to be a trendsetter and an individual. Poetry is a free form of expression. Use it to your advantage. Play with the words, move them around, make it your own. You'd be surprised what you will come up with."




Learn more about Kezia the poet through her MySpace page, and you can listen to some of her poetry at ReverbnNation.

Wednesday, May 28, 2008

Wanted…Jobs for Writers/Editors


What's your dream job?

Ask a writer about his dream job and he'll probably say writing full-time. It is an attainable dream for just about everyone, but while you're honing your craft and polishing your manuscript, wouldn't it be nice to have a job that pays you to do what you love and might offer opportunities that will bring you closer to achieving your dream?

Need a writing-related day job?

Here are a few job listings for writers and editors posted in the last week on The Biz.com, CareerBuilder.com, Monster.com and Yahoo! HotJobs: (click job title to go to listing)

Assistant Editor - Simon Spotlight - Simon & Schuster - responsible for editing approximately 12 titles/year and all resulting administrative and editorial duties in the preschool arm of the imprint. Posted 5/28/08. (Yahoo! HotJobs).
Associate Copywriter - World Avenue - responsible for writing content for websites and other promotions and publications. Posted 5/28/08. (CareerBuilder.com)
Associate Editor - Concierge.com - Condé Nast - primarily responsible for maintaining/updating website's Destination Guides. Posted 5/24/08. (The Biz.com, Yahoo! HotJobs)


Content Writer - Customer Service - The Software Giant - 3-month contract position, responsibilities include writing articles about products and updating past product articles. Posted 5/28/08. (Monster.com)
Copywriter- Musician's Friend - responsible for writing copy for the websites and catalogs that "speaks with passion and authenticity to our audience of musicians." Posted 5/28/08. (Monster.com)
Correspondent - The Lone Star Report - staff position reporting on state government and politics for a weekly conservative policy newsletter. Posted 5/28/08. (CareerBuilder.com)
Full-Time Staff Writer - Florida Health Care News - staff position with a health-care information publication, must have feature writing experience. Posted 5/28/08. (CareerBuilder.com)
Product Information Writer - HSN Broadcast TV, HSN.com - responsible for writing product description "with a flair for inspiring and motivating customer action." Posted 5/28/08. (The Biz.com)
Publicist - McGraw-Hill Professional - responsible for maintain publicity program for medical books, digital products and consumer health books. Posted 5/28/08. (CareerBuilder.com)
Senior News Writer - Media Relations - Bucknell University - responsible for writing/editing news stories about the university. Posted 5/28/08. (CareerBuilder.com)

How about one just for fun?

Zap2it.com seeks a "Show Recapper" for three summer shows: Meerkat Manor - premiering May 30, Army Wives - premiering June 8, and America's Got Talent - premiering June 17. There's no pay involved but it is good exposure and you can link to your own blog or website. Email a recap writing sample to Managing Editor Brill Bundy - bbundy(at)zap2it(dot)com.

Tuesday, May 27, 2008

Looking for Inspiration?


Software for writers abound. From StyleWriter to Final Draft, the right software can help you plot, create characters and format your manuscript. If you need help finding and developing ideas, take a look at the aptly named Inspiration by Inspiration Software, Inc.

What is Inspiration?

Developed for teachers and students, Inspiration offers users a visual way of developing and organizing ideas. In one mode, you can draw out your idea with a variety of shapes, colors and arrows. In the second mode you can work in the traditional outline format. Click a button and you're drawing is immediately organized into one of six diagrams or one of five "stacking models." Click a second button and you're drawing's been translated into the outline format.

The program comes in different versions, including one for hand-held devices, for kids and for organizing collected data. Inspiration has versions for both Macintosh and PC computers as well. "Inspiration for grades 6 to 12" is marketed to both teens and adults.

How would writers benefit from Inspiration®?

The act of brainstorming is messy. You've got a scribble here. Another thought scratched over there. Sometimes one piece of paper won't hold it all so you have to grab another then link it up somehow if the pages get shuffled. Inspiration's page stretches with you. You can go as wide and as long as you want.


Click and there's a circle waiting for you to type in a thought. Click again, another circle. You can move the circles around, bunch them together, change their colors to help you keep the idea flowing and developing. You don't even have to use circles. The toolbox offers multitudes of shapes and even figures like plants and animals to designate the different points as your idea takes shape.

Once you've written out every word, phrase and thought you have about this idea, Inspiration can help you organize it. You can draw arrows between your shapes to link subtopics to topics. You can designate one color for, say, chapter titles, then another for the plot points in the chapters, even go as far as making each chapter's points their own color. Then you can diagram your notes with a click and get a chart that flows top to bottom, left to write or however you'd like.


At any point, you can hit a button and your idea becomes an outline. Edit in that mode or swap back to the diagram and add items there. (see the pictures of both modes. click on them to enlarge.)

Where can you get Inspiration?

The company website has a free trial download so you can try before you buy. You can order it from the company or I also found it available on Amazon.com from individual vendors. Cost is $69 from the company or anywhere from $60-$65 from the Amazon vendors.

Monday, May 26, 2008

Celebrating US Memorial Day…Military-themed Markets

Many groups and cities lay claim to founding Memorial Day in the United States, but it was officially proclaimed and observed in 1868 in a ceremony at Arlington National Cemetery, honoring the Union and Confederate soldiers who died during the Civil War. Although the May 30th holiday was observed by all northern states by 1890, the South did not acknowledge it until after WWI when its purpose was changed to honor all American soldiers who died fighting in all wars. In 1971, Memorial Day was designated to the last Monday in May when Congress passed the National Holiday Act. It is now observed by all states. (source: USMemorialDay.org)

Are military-themed magazines open for any contributor or just military people?


Of the ones listed below, all are open to any contributor in most departments. Most guidelines say to read back issues to get a solid feel for the type of stories they want and who the readers are.

Can you sell military-themed stories to non-military markets?

Yes. History magazines often print stories about wars. Some aviation enthusiast magazines will consider stories about military planes or pilots while general interest magazines will look at profiles or first-person narratives from or about individuals in the military. Of course, news magazines and newspapers also will print military-related stories. Military stories, if angled to the demographic, can fit in almost any magazine. Study the market and learn about both the readers and the editors before submitting an idea.

Where are most military magazines published?

I can't answer that one with any authority. Most of the magazines I found were in the US, but there are others among the ones listed below from Canada, Australia, and the United Kingdom. I found one other in Pakistan, but I didn't include it because the website had no information on editors or writer's guidelines.

Markets for Military-themed Articles (click names to go to their websites)

Air & Space Magazine - The Smithsonian Institute - it is a general interest magazine about flight, break-in as a first-time contributor with one of the departments.
Airforce Magazine - this is a Canadian magazine, seeking news and feature articles as well as historical articles on military and civilian aerospace topics as well as the Canadian Air Force and Royal Canadian Air Cadets, website doesn't have guidelines for writers, but there is a contact page with the editor's name/email, phone and mailing address.
AirForces Monthly - Key Publishing Group - this magazine is published in the United Kingdom but the latest issue features US, Russian, German and English stories, extensive guidelines are on the website.
Airman - Air Force News Agency - this is the official magazine of the US Air Force, it is downloadable in pdf files from the website, there are no guidelines on the website, but it is open to contributors.
Flightpath - Yaffa Publishing Group - this is an Australian magazine aimed at devotees and owners of antique, classic and ex-military airplanes, seeks stories about restoration and recovery of antique and vintage planes, and on Australian aviation heritage,
History Magazine - seeks feature stories about events, occasions and achievements rather than profiles; break-in as a first-time contributor with a "trivia piece," e-queries preferred.
Military Officers Magazine - Military Officers Association of America - this is a general interest magazine for officers, families and surviving spouses of the Army, USMC, USN, Air Force, Coast Guard, Public Health Service ad the National Oceanic and Atmospheric Administration, plus the National Guard and Reserve servicemen, NO reprints, e-submissions ok.
Naval History - US Naval Institute - seeks articles, pictorials and book reviews, e-queries and e-submissions ok.
Proceedings - US Naval Institute - general interest magazine for members of the US Navy, Marines, Coast Guard and Merchant Marines, among others, seeks submissions in several departments plus feature length articles, e-submissions and e-queries ok.

Sunday, May 25, 2008

Workshops & Retreats…Ireland's Anam Cara


What is Anam Cara?

It is a retreat for writers and artists on the Beara Peninsula in West Cork, Ireland. The cottage and five acres of gardens hosts both workshops for groups of writers and artists or simply a creative getaway for individuals working on existing projects or developing new ones. Hostess Sue Booth-Forbes, a writer and editor, has set a daily schedule to help guests focus their creative minds on the project at hand. For example, from 9:30 to 5:30 each day are the "Quiet Working Hours." Even if you don't feel like working, you are expected to be courteous of others. Morning and evening meals are shared with all the residents. Lunch can be shared or on your own.

The cottage
houses five guests and the bedrooms have large desks and work areas and "inspiring" views of the Beara landscape. There are several community areas in the house where you can work: the library, the conservatory/sunroom, and the gallery to name a few. Internet access is available but limited, and residents have access to a copier, scanner, printers, fax and a telephone if you have a phone card. If you need extensive Internet access, the nearest town with such services is four kilometers (2.5 miles) away.


The gardens offer five acres with benches, swings, hammocks and other areas for creativity outdoors. There are two kilometers (1.2 miles) of walking trails in the garden, a duck pond, the Kealincha River, a mountain stream, flower and vegetable gardens among other features.

What writing workshops are offered?


Anam Cara offers five workshops this summer and fall. Three of them are for writers.

The Poem and the Dream - June 21-28 - Paula Meehan (Ireland) and Juliet Clancy (USA) - contact anamcararetreat(at)eircom(dot)net
Writing from Within - July 12-19 - Maeve O'Sullivan (Ireland) and Kim Richardson (England) - contact anamcararetreat(at)eircom(dot)net
Writing in Ireland - October 11-18 - Karen Blomain (USA) - contact karenblomain(at)gmail(dot)com

For more information about the individual workshops and the instructors, visit the website. All participants either stay at the cottage or at one of the Bed and Breakfasts nearby. Transportation is provided during inclement weather. Lunch and dinner is served at Anam Cara.

For information on registering, rates, space availability and everything else, please email the corresponding addresses above.


Why should you try a writer's retreat?

Here's one good reason: getting away from your daily like may be just the spark you need to finish your latest project. Instead of driving kids to and fro, instead of washing clothes and washing faces, instead of being pulled in 14 different directions at work and at home, you'll have only one purpose: to finish your manuscript. Given the opportunity to focus on just one task, your brain will spit out idea after idea. Studies in Belgium and England have found that the brain learns while sleeping. At Anam Cara, you can doze off in the hammock on the island in the river and wake up with the perfect solution for framing unsuspecting Uncle Fred in chapter four with the murder of the police commissioner on page one.

There is a lot to be said for the camaraderie you find in workshops, but even if you're retreating alone at Anam Cara, there will be other artists or writers with whom you can share your work, discuss or share a pint at the local pub. Writing is a solitary task, but it doesn't have to be solitary confinement. At Anam Cara, you can have your work time and your creative communing. It's the best of both worlds.




Photos are from Beara Tourism's website.

Thursday, May 22, 2008

Interview…with children's author James Dashner

UPDATE 7-2-08: Dashner just signed with Random House for a book to be released in Fall 2009. Read more here.

The writing bug bit James Dashner at the age of 10, but he didn't follow the typical path of a would-be novelist. He didn't write for the school paper in high school, didn't submit to the student literary magazine in college.

"Mainly (I wrote) short stories for fun until I got serious about writing novels," he says.

That was 10 years ago. A Door in the Woods, Book One of the Jimmy Fincher Saga, was published five years later. In March 2008, Dashner published the first book in his second fantasy series, The 13th Reality: The Journal of Curious Letters, which Borders selected as one of its "Original Voices" in April. The novel's presales alone eclipsed the sales of his earlier series and it is collecting rave reviews from critics and readers alike.

The Journal of Curious Letters begins with 13-year-old Atticus "Tick" Higginbottom receiving strange letters with riddles and clues from the mysterious "M.G." in Alaska. He is soon drawn into the secrets of the 13 parallel realities and the struggle to protect them against evil forces.

Why did Dashner choose to write for children?

"I love the innocence and energy of children, and their bright-eyed wonder," he explained. Plus fantasy is what he likes to read. "And I have a psycho crazy imagination."

He decided on writing series instead of stand-alone books because kids tend to get attached to the characters and enjoy visiting them again and again in other books. Although he feels writing is writing no matter the genre, children's writing can be hard because you have to keep kids engaged while creating detailed pictures in their minds. There is an easy part, however. "Coming up with cool stories," he says.


Dashner also likes interacting with his readers. His publisher Shadow Mountain has sent him on a national book tour - his first - and he loves going into schools to meet the children.

"We do lots of fun stuff…We create a story together, play a riddle game, look at funny pictures....We have a blast," he says. "Then I 'slam' them with a message…about being brave enough and smart enough to change the world someday and make it a better place."

How does The 13th Reality compare to his earlier Jimmy Fincher Saga series?

"The biggest difference is that my writing has improved (I hope) a lot," he says, adding," but also I think (The) 13th Reality just has a lot more depth and stronger characters."

Another difference is the reader response. Whenever you begin a new series, you must build a new fan base. Given the sales and response so far to The Journal of Curious Letters, Dashner is having no problem doing just that for this series. Jimmy Fincher was with a regional publisher and didn't get the exposure and support that The 13th Reality is getting. Although it is too early to tell, being chosen for the Border's "Original Voices" hasn't hurt either.

One connection between the books is a small Easter egg that Dashner transferred from the first series to the second. Other than that, he says both main characters are autobiographical, not that he had any mystical adventures in his hometown of Duluth, Georgia. Anyone who knows him can point out things in the novels that remind them of him. "Especially Jimmy Fincher," he says. "He's basically me."

How did he know when to end the Jimmy Fincher Saga and start a new series?


Dashner decided that before he published his first book. Jimmy Fincher was planned to run for four novels. The 13th Reality will run for five. He outlined the overall story arc while developing his proposal. He sketches out the individual novels book by book, usually ending up with a two to three page outline.

Dashner's second novel will be released next March and he is currently brainstorming Book Three. He has something else in the works, too.

"I'm a CPA," he says, "but (I) plan to be a full-time writer starting in September." It's the fulfillment of his own childhood fantasy.







You can follow Dashner during his book tour on his blog "The Dashner Dude." To learn more about Tick and The 13th Reality, visit the book's website.

Wednesday, May 21, 2008

Taking the Paperwork Out of Writing…

There's a new online service for writers: WordHustler. Designed by two writers, the web-based business offers a variety of services to relieve writers of the daily drudges of the business of writing.


How does WordHustler work?

Through a series of tools, the website helps to organize your work, to match your projects with potential markets, and to track what went where and to whom. You load your manuscripts into the HustleFolio. There you can sort or tag them by genre, date, status and more. The manuscripts are uploaded as PDF files so they will print out exactly as you want them time after time. No losing the format in the transfer. You can also search the site's extensive market listings and match them to your projects.

WordHustler boasts over 3,000 hand-picked and screened contests, magazines, agents and more. Each listing is linked to its own site so writers can check them out further. In addition, every member can rate and comment on each market listing. If a bad apple slips through the screening process, you can let everyone know, and WordHustler will remove the listing.

There is a composer feature where you can write and save your query letters and other correspondence. If you're struggling with a letter, WordHustler has samples available.

The Dashboard tracks the activity of each manuscript and query letter. You can see a manuscript's complete submission history at the click of a button. You can also send manuscripts ready for submission to your Queue for printing and mailing.

What does WordHustler charge?


WordHustler doesn't charge for signing up and utilizing the folio, the dashboard or even for searching the markets. The only fees are for the printing and packaging of your submissions. Rates begin at $2.99 for a submission under four pages long. That includes query letters and poetry submissions. The largest flat fee is $9.99 for 50 pages. Anything over 50 pages is 10-cents a page.



You can also add Virtual Office to individual submissions for $1.99 extra. The Virtual Office will route all correspondence - SASEs, Reply Cards - back to WordHustler, who will then update your dashboard information and notify you by email.

"WordHustler's biggest asset is that it is so easy and effective to use, it saves writers priceless amounts of time," says co-founder Anne Walls. "The writer doesn't have to spend a day…waiting in line at the Post Office or dealing with the fact that stamps just went up and the whole 'Where can I find a 1-cent stamp at 11:28 pm on a Sunday' debacle."

Other free features include a blog with tips and ideas about using WordHustler, clinics on getting the most out of the services, writing-related interviews and articles and a ready-available support staff.

Will your manuscripts be safe on WordHustler?

Idea theft is always a concern, but Walls explains WordHustler's site security. "Access to the site is restricted by username and password. That means when a user logs in (he) can see (his) work and only (his) work." Amazon.com hosts the site so WordHustler uses the same security system.

In addition, the terms and conditions writers must agree to when signing up have an "intellectual property security" section, which states that all intellectual property is protected. And if you're worried about copyright infringement, Walls says "Our system double-insures that (a writer's) work stays (his) because we have detailed records of all our transactions so we can prove that the work was that writer's and only that writer's."




If you want to learn more about WordHustler or take a tour of the site and its services, click here.

Tuesday, May 20, 2008

Doing an Agent Search…


There comes a time when almost every writer needs an agent to further his career. The Internet has made searching for an agent so much easier for today's writers. It also has made it easier for the charlatans and scammers to prey on innocent, eager writers. As with everything else, check out anyone or any organization into whose hands you're putting your trust and your career.

Where can you begin an agent search?

Start with the Association of Authors' Representatives. AAR is a professional organization whose members must adhere to ethical and professional standards set forth by the association, such as no reading fees and an industry standard commission rate.

The AAR website offers a free database that you can search a number of different ways. You can specify the state, the category of work they review (adult/children, literary/dramatic, genre), and even by whether or not they are accepting new clients or will take email queries. The profiles will often give the agent's email address and his specific areas of interest, but always go to the agency's website if you can find it. The information is more complete and usually up to date.

Another plus to the AAR directory is that it lists individual agents within the agencies. You have an actual person to whom you can address your query. However, you obviously don't want to query multiple agents in an single agency.


Other sources for information include such books as 2008 Guide to Literary Agents, 2008 Literary Market Place, and websites like WritersMarket.com, eBook Crossroads and Writers.net, among others. You can also meet agents at workshops and conferences and through other writers.

How do you know if an agent is reputable?

Chances are if he is a member of the AAR, he holds himself to their Cannon of Ethics and is reputable. However, agents who aren't members aren't necessarily bad either. There are some databases online that track agents with questionable practices. Most of these databases are open to any contributors so you have to take the reports with a grain of salt, but if several people are posting about the same agent, you should take note and steer clear.

AnotherRealm.com has a preditor/editor database, as does invirtuo.com. The Science Fiction and Fantasy Writers of America has a "Writer Beware" page.

Would you like a head start on your search?

Of course you would! Below are some agents I found when searching "accepting new clients" on the AAR website. Not all of the agencies have useful websites so I listed email addresses where I found them. (Inclusion is not an endorsement.)


Kathleen Anderson - Anderson Literary Management, Inc. - terry(at)anderson(dot)com - seeking various nonfiction and fiction genres and scripts, accepts e-queries.
Nathan Bransford - Curtis Brown, Ltd - nb(at)cbltd(dot)com - seeks a variety of fiction and nonfiction, accepts e-queries.
Laura Dail - Laura Dail Literary Agency, Inc. - queries(at)ldlainc(dot)com - seeks historical and high-concept fiction, humor, funny YA, serious nonfiction, accepts e-queries but no attachments.
Russell Galen - Scovil Chichak Galen Literary Agency, Inc. - info@scglit.com - see website for full list of interests and submission guidelines, accepts e-queries.
Barbara Lowenstein - Lowenstein-Yost Associates - see website for full list of interests and submission guidelines, NO e-queries.
Scott Andrew Mendel - Mendel Media Group LLC - seeks a wide variety of adult fiction and nonfiction, YA fiction and nonfiction plus children's fiction, NO e-queries.
Jessica Regel - Jean V. Naggar Literary Agency - jregel(at)jvnla.com - seeks children's fiction, YA fiction, ethnic and international fiction, literary fiction, women's fiction and various nonfiction genres, accepts e-queries, but no attachments.
Peter Rubio - FinePrint Literary Management - peter(at)fineprintlit(dot.com) - seeks both fiction and nonfiction, see website for full lists of interests and submission guidelines, accepts e-queries but no attachments.
Peter Steinberg - The Steinberg Agency - submission(at)steinbergagency(dot)com - see website for recent titles and submission guidelines, accepts e-queries but no attachments.

3 Tips for Beating Writer's Block…

Dear Readers -

Monday afternoon I lost my Internet connection in my office. Due to a number of circumstances, going out and finding Internet access is difficult. So until I can fix my connection, 3 Questions…and Answers will have to go on a limited schedule.

I have posted last night's article on beating writer's block below. If anyone has any tips on beating temperamental Internet connections, leave them in the comment section and I'll publish an article on them when I'm back up and running.

Thank you for your patience and understanding.



AmyM




3 Tips for Beating Writer's Block…



Tip #1: "Give in to the dark side."

Get over the fear of being wrong, doing wrong, saying something wrong. The world will not come to a halt if you split an infinitive. Mrs. Allen, the toughest English teacher the sixth grade has ever seen, does not stand behind you, her red pen in hand ready to slice and dice your manuscript.


You can’t fix something that isn’t there. Write your words, the good, the bad, and the grammatically questionable. Just write. Don’t worry about too many adverbs or “to be” verbs. Forget misspellings or vague word choices. You can pull out your dictionary or your style manual later. Just get the words on paper because words are like rabbits and tend to multiply when placed in close proximity to each other.

Tip #2: "Don't throw the baby out with the bath."

When you're revising or editing, keep a "scrap file." Instead of deleting paragraphs or pages, cut and paste them into the scrap file, just in case there's a hidden gem in there that might come out with a little extra polishing. Maybe that line is simply in the wrong place or that scene isn't bad. It just needs to be shown from a different point of view.


If you simply hit the delete key, your words and ideas will be gone forever. The scrap file lets you have the opportunity to reconsider your words later if you need too.

Tip #3: "Get physical."


If you find yourself with not only writer's block, but also editor's block on a project, try something drastic. Print out everything you've written, the manuscript, the scrap file, even your notes. Make sure everything is double-spaced and has wide margins for your notes and rewrites. Grab a pen and go through your manuscript the old-fashioned way, line by line.

You can take it a step further. Instead of making notes or drawing arrows to move lines or paragraphs, cut your manuscript apart. Grab a legal pad and some tape or glue stick and put the manuscript back together again in the new order. The extra inches of a legal pad (8.5x14 v. 8.5x11 inches) as oppose to printer paper give you more room to work. You can leave spaces to write in new transitions between the cut-outs.

Why does this work better than cutting and pasting on the computer? Maybe it makes the manuscript more tangible rather than lines on a screen. The manuscript has length, has weight, has a form you can't feel on the computer. Or maybe the change in situation stimulates the brain to think differently. Who can say? When you're in a rut, doesn't it make sense to climb out of it any way you can?

Sunday, May 18, 2008

Virtual Book Tour 2...author Paul Kilduff


Author Paul Kilduff has been writing since 1998 when he read a financial thriller and learned that the author had gotten a large advance. He knew he could write a book at least as good as that author's book so he did. In fact, he wrote four financial thrillers for Hodder Headline in London, drawing on the places, people, scams, scandals and cities he had encountered in his real life as an accountant in London's business district. He still works his day job, but now in Dublin, and he writes on the weekends, holidays and any time he's not working.

In 2004 Kilduff found himself abandoned by his airline Ryanair in Malaga, Spain for 10 hours and later hatched the plan for his first work of nonfiction, Ruinair. Flying all over Europe on this low-fare" airline, he explores the new travel trend for as little as one cent a flight. Published by Gill & Macmillan in February 2008, Ruinair has been number one on the Irish nonfiction bestsellers list for nine weeks.

Kilduff has begun a sequel to Ruinair. Ruinairski takes him through the 12 countries of Eastern (or New) Europe with all the indignities of low-fare flying still in tact. The book is due out in 2009.

Last week 3 Questions…and Answers readers had an opportunity to leave questions for Kilduff about Ruinair and his writing life. Below are his responses: (The questions are in the order in which they came.)

How long did it take you to complete this book from idea to publisher?


It took about 3 years plus from the idea in September 2005 to publication in February 2008. I would say 2 years were spent writing the book and editing it and then I used my London literary agent for a few months before my Dublin agent sold the book to Ireland's biggest nonfiction publisher, Gill & Macmillan.

How many trips did you take?


I lost count and after a while I was suffering from Ryanairitis! But I think it was about maybe 25 return trips. Sometimes you take a trip to an awful place that you just cannot write about and so you have to bin the chapter and go somewhere else that works better!

Would you recommend discount flying now?

Yes, I would if you play by their rules. Book well ahead to get cheap fares, go off-peak or off-season, be on time, travel light and smile at them!

What prompted you to become a writer after being an accountant?

I qualified as an accountant with Deloitte first because it was a smart and safe career move and I still have a good day job. Writing is not secure especially when you are starting off in the world. Few writers make lots of money in their first years unless they are J.K. Rowling?

Do you still work as an accountant?

Yes, I still work in a bank but I plan to leave this year to write full time. I can always get another banking /finance role at a later date if I need to.

What sort of response have you gotten from the airline Ryanair?

We got no official response from the airline except that a journalist from The (Daily)Mirror newspaper in the UK asked them for their reaction and their press spokesman said, "We view all books about the airline with total difference." - I am certain they do not wish to give us any extra publicity.

Did you worry about legal action? Isn't there an issue of libel or defamation?


Yes, that can be a worry but my publisher ensured that the book was read by Ireland's leading libel lawyer. He made us take out, say, 10 sentences in the book, which I was very happy to do. Also on the first draft of the book cover he asked us to remove the Ryanair corporate harp logo from the side of the aeroplane. Sure, anyway Ryanair attacks everyone else so it's about time that someone little like me had a go at them in reply and a little bit of controversy never did anyone any harm! Ryanair and little me are like McDonalds Corp and Morgan Spurlock!

How hard was the transition from fiction to nonfiction?


It was not that hard to be honest. It's very easy to write a book about which you are passionate. I had lost some of the passion about writing fiction since the boom years of banking and finance are likely over and I was much more excited about writing nonfiction. Also some of my fiction was aimed at a narrower finance niche market while travel writing as at present is much more mass market and commercial.

What do you like better about nonfiction in comparison to fiction?

I think nonfiction is easier because you can go somewhere or research something and write about it, but writing fiction to me always felt like I was draining the well of my imagination and its more solitary sitting at home writing fiction that being out there in the real world with nonfiction.

What made you feel like you wanted to write a book? Is it something that you've always wanted to do? Or did it come from dissatisfaction with your job?

It was something I always wanted to do. I have an urge to create. Before my books I wrote great letters to friends, or so they tell me. I was not dissatisfied with my job and my advice to anyone who is would be to move jobs immediately. There are plenty of good jobs out there.

Do you think you will continue to write both fiction and nonfiction?

Yes, if I can - for example my fifth financial thriller is presently being considered by a new London publisher. I will write both if I can sell both types.

How hard is it to maintain the humor throughout the book?

Good question and like most things in life, less is often more. I try not to over-do the humour, nor end every paragraph with a punch line. I don't think that you can manufacture humour so you have to let events unfold and find the right angles to amuse the reader. I learn from Mr. B (Bill) Bryson. Also note that in this part of the world we do not have any 'humor' - we have humour!

This book seems so vastly different from your novels.
Why did you want to write it?


I wrote it because it was a topic of interest to me, I thought there was a market for it, it was topical and funny, and I love to travel too.

Did you have to put on a different persona to write it or is this voice more you than in your novels?

I always try to be my natural self when writing fiction or nonfiction - it's so much easier than trying to be someone else which can be hard to sustain for any period of time. I am the voice of an investment banker in my financial thrillers and the voice of a baffled passenger in Ruinair.

Bouncing off of an earlier question, how did your experiences in your professional career contribute or hinder your personal writing process?


I think my professional career actually helped my personal writing career. I had a job in a major London bank which involved heading off to a foreign city like NY or Hong Kong and to write a 10,000-word report on some event, problem, scandal or loss. So I learned at an early stage how to write and structure my thoughts and how to provide detail and also I lost the fear of having to write a daunting 100,000 words for a book.


Kilduff with a crew from Sky Europe Airlines while researching Ruinairski.


Ruinair is available through Gill & Macmillan and through Amazon.com. You can learn more about Paul Kilduff on his website.

Thursday, May 15, 2008

Interview…with writer/journalist Deborah Blum


"The Pulitzer just gives you a lot of credibility," says Deborah Blum. She won the Pulitzer Prize in 1992 for a series about the ethical issues in primate research while writing for the Sacramento Bee. "And also, there's a brief moment where it gives winners a certain celebrity, when possibilities open up."

Blum grabbed one such possibility, signing with Suzanne Gluck at the William Morris Literary Agency and adapting her award-winning news series into her first book, The Monkey Wars, in 1994. She has since written or co-written five other books and joined the faculty at the University of Wisconsin-Madison's School of Journalism and Mass Communications in 1997.

How hard was the transition from newspapers to books?


"(Newspaper writing) is wonderful training for a writer because you have to work every day to interest readers in topics they often don't care about." Blum was the first full-time science writer for the Sacramento Bee and wrote on heady, complex topics like ozone depletion, vanishing species in the west, chronic disease in the US and the mismanagement of nuclear weapons labs. The latter, written in 1987, won numerous national awards, including the Livingston Award in National Reporting.

"It really pushes you to find a way to tell a story well."


Always an "over-researcher," Blum had gathered copious amounts of information while writing the primate research series, and with a one-year leave of absence granted to her by the Bee, she signed a contract to turn the series into a book. She learned very quickly that newspaper research is nothing like book research.

"Because newspaper stories move really fast - I always think of them as a sprint - the writer can't dwell on the details at length." But nonfiction books have a slower rhythm and room for more details. "You have to dig for information you usually don't need in a newspaper story," she continues. "I needed to see the research facilities in person…draw portraits of the scientists, watch surgeries on the monkeys."

Gathering all that extra information isn't always easy. Blum admits she uses most of her advances on traveling for research and each of her books have presented their own issues when it comes to research. Sometimes it's just about persuading people to talk to her, but the subjects of her current book (about murder and poisons in the Jazz Age) left little in the way of records so it's been like a scavenger hunt.

"I've tracked down grandchildren, burrowed in odd corners of archives, hunted down long extinct newspapers. It's been pretty incredible." Fortunately, she has a graduate student assisting her.

What is involved in researching a science based book?


Blum blocks out her research plan while she's working on the proposal, starting with gathering all the printed material she can find on her subject. She'll use their bibliographies to find more sources. From here she can plan her travel needs. For instance, her second book, Love at Goon Park, was centered on the work of very controversial psychologists and she had to travel a lot because so many people were nervous and the interviews needed to be done in person. For Ghost Hunters, her last book, she spent weeks at archives in New York and Cambridge.

Her contracts usually give her two years to finish the book and she spends a year or more on the research. Then she thoroughly checks and verifies her facts. For Sex on the Brain, she set up a panel with four scientists to ask about her interpretations of the facts and details.

"I'm pretty neurotic about checking things," Blum admits, and then adds, "It’s probably impossible to error-proof a book, but if it’s not credible, what’s the point?"

What is the hardest thing about writing nonfiction books?

Deadlines help the self-proclaimed over-researcher know when she's ready to write. Without them, she admits she'd still be researching her first book. There's just a moment, she says, when she knows she's ready to tell the story. Now there's another challenge to face.

"Reality is not always that satisfying," Blum says. "For instance, my ghost hunters never proved that the dead float among us. In fiction, I could have made them stumble onto the truth about the afterlife." Instead, they had to wrestle with ambiguity and disappointment and she had to figure out how to make their failures compelling and worth reading.


Next Blum would like to write about 21st-century science since this latest is her third historic book, and she won't abandon her first love - newspaper writing.

"I love the ideal of them," she says. "(I love) the way they can give voice to people whom often lack a voice."

She still writes freelance occasionally for such papers as The New York Times, The Washington Post, The Los Angeles Times as well as the local The Milwaukee Journal Sentinel.



Learn more about Deborah Blum, click here.








Irish author Paul Kildoff will answer your questions about writing and his new book Ruinair as he kicks off his Virtual Book Tour here at 3 Questions...and Answers May 19. Read more and leave your questions here by 6pm EDT Friday, May 16.

Wednesday, May 14, 2008

Favorite Things…Six Books on Writing


I have a weakness…I love books on writing. In college, I saved all the textbooks from my writing classes. I subscribed to Writer's Digest almost immediately upon graduation and discovered the Writer's Digest Book Club and began buying writing books "at incredible savings!" Shortly after, I worked in the acquisitions department in a university library. I could order any book I could find and I got a discount! I filled shelves upon shelves before it was all over.

Have I read them all? Most but not all, but I have my favorites based on readability and usefulness.

Need help with mechanics?

The Elements of Style by William Strunk, Jr. (aka "Strunk and White") - Originally written in the mid 1950s, this book breaks down English grammar the best of any other book. The table of contents is like a checklist of grammar points if you just need a quick reference. Inside you can find more in-depth discussions of the comma-semicolon dilemma and the dreaded indefinite pronoun. Coyote Canyon Press published the latest edition in 2007 without crediting co-author E.B. White. They also call it "the original edition." It is available on Amazon.com for $3.90.


Getting the Words Right: 39 Ways to Improve Your Writing by Theodore A. Rees Cheney - When I bought this book 20 years ago, the subtitle was "How to Rewrite, Edit and Revise." It does just that and in a way that it becomes incorporated into your daily writing life, like Weight Watchers isn't a diet but a program to incorporate healthy eating into your daily life. You change bad writing habits, learn how to avoid language pitfalls and become a better first draft writer simply by reading this book. Published by F&W Publications, it sells for $11.99 on Amazon.com.

The Writer's Digest Guide to Manuscript Formats by Dian Dincin Buchman and Seli Groves - WD Books published this guide in 1988, and at that time, it was THE reference guide to have because it lists not only novel formats, but query letters, short stories, plays, screenplays, nonfiction articles and more. Some of its advice is now somewhat dated in today's Internet world (it talks about setting your typewriter tabs), but the basics are good. You can only find it used now, but there are other formatting books out there and I strongly recommend that every writer have one, be it this one or not. The appearance of your manuscript makes your first impression to an editor or agent. Make sure it looks good.

Want to try something different?


Screenplay by Syd Field - Syd Field is a screenwriting guru and this book has been around at least 20 years teaching writers the structure of the basic screenplay. It will help you plot out your story, show you proper screenplay format, and much more. If you're a novelist looking to adapt your book, it even outlines what will and won't work on film. Field has many other screenwriting books but this one is the best one to start with if you've never written a script. Delta published its latest edition in 2005 and you can get it on Amazon.com for $10.88.

Creating Short Fiction: The Classic Guide to Writing Short Fiction by Damon Knight - I liked this book because it explained plotting to me in terms I could understand. I have yet to master it, but I do understand it. Like the other books on this list, it is enjoyable to read as well as instructive. Even if you don't want to write short stories, this is a good reference to have if you want to learn how to conserve your words but still give your idea life. It is from St. Martin's Griffin and sells for $10.46 on Amazon.com.

Need affirmation?



Dare to be a Great Writer by Leonard Bishop - I was sorry to see this book is no longer in print. (You can find copies on Alibris.com and from private sellers on Amazon.com). This is a great book to read before you send out your manuscript, after you get your first rejection slip or whenever you need to be reminded that you're a great writer. It's like having Dr. Phil at the ready on your bookshelf. I've read all of it but I didn't read straight through. Often I'd just flip through until I found the pages and the words I needed at that particular time.



There are other books out there that offer advice and instruction--I have many more myself--but I will probably never part with these six.







Irish author Paul Kildoff will answer your questions about writing and his new book Ruinair as he kicks off his Virtual Book Tour here at 3 Questions...and Answers May 19. Read more and leave your questions here by 6pm EDT Friday, May 16.

Tuesday, May 13, 2008

You Like?...You Write!


Being a freelance writer is like that old cliché: "Have your cake and eat it too." Write about things you like and you'll combine work and pleasure every day.

Where do you want to go?

A great way to manage a dream vacation is to pitch a get-away article to an editor. Lots of magazines and newspapers need travel articles. A friend of mine writes a day-trip column for the local paper. She had long wanted to visit a day spa. For her recent article, she got paid to try the services of four.

Not all publications will pay expenses so check with the editor up front. Keep your receipts for tax purposes too. Some, if not all, of them are deductible.

Places to pitch travel articles, beside obviously travel magazines, include local papers, city magazines, parenting magazines, women's magazines and others.

What do you want to do?

Several years ago I began thinking about getting a tattoo. I had seen one I liked, but I had so many questions I wanted answered before I took the plunge. So I pitched a story on tattoos to the editor of our city magazine. I got the assignment and interviewed tattoo artists in town and their clients and got paid for getting answers to my questions.


Another writer friend, a senior citizen, wanted to parasail and learned that some places offer tandem parasailing, where she could go up strapped in with an experienced "sailor." She sold an informative feature to a seniors' magazine and a first person essay to her local paper.

So look at what you want to do or what you're planning to do and see if there's a story there. If you have always wanted to do it, chances are someone else has, too, and would like to read about it.

Places to pitch these types of stories vary widely. You may, like the senior writer I mentioned, be able to pitch two different articles about the same dream. Always look for personal experience markets. Look for demographic markets. For instance, old-young, male-female and location (both yours and the story's) can help narrow down potential markets.

What do you like to do?

I have a friend who is a bookworm in the truest sense. At one point, she didn't have a nightstand beside her bed, just a stack of books. If you have a passion for books, write book reviews. Movie and DVD reviews are opportunities for the movie buff/writer, as are CD reviews for the music-loving writer.

If you like dogs, there are dog magazines as well as cat, horse, fish, ferret, rabbit, rat, and reptile magazines (according to TheMagazineBoy.com).


Do you knit, sew, crochet, or other needlecrafts? You guessed it, there are magazines for each of those looking for how-to's and tips among other story ideas. In fact, if you name any hobby, I bet you there's a magazine for it. In addition to those already mentioned, TheMagazineBoy.com lists magazines for such hobbies as beading, ceramics, doll making, jewelry, woodworking, painting, coin collecting, model making, trains and teddy bears plus more.

Now that you're mining your life and dreams for story ideas, here are some sources for potential markets:

NewsVoyager.com - free database of daily and weekly newspaper websites from nearly every city in the US and some international papers too.

TheMagazineBoy.com - free directory of magazines, including some international magazines, titles are sorted by category and subcategory.


WritersMarket.com - a subscription database of print and online magazines, newspapers, trade journals, and it includes a "dashboard" to set up folders and track your submissions, about $4/month or $30/year. (I know I mention it a lot--I am not paid to tout this site. I just use it often.)

Finally, go to your local newsstand or bookstores like Borders or Barnes and Noble and look through the periodicals section. Your local library is another great place to research potential markets. Don't forget to check your own coffee table. You can write for any magazine you read because you already know the target market.